Essays

Articles and Book Chapters

  • “Cervantine Criticism Since 2000 and into the Future.” Handbook of Cervantes. Ed. Aaron Kahn. Oxford: Oxford UP.  Forthcoming.


  • Don Quixote and the Rise of Cyberorality.” Millennial Cervantes: New Currents in Cervantes Studies. Ed. Bruce R. Burningham. Lincoln: University of Nebraska Press, 2020. Forthcoming.


  • “Chapter 51: Cervantes: Don Quixote.” A Companion to World Literature: 1451-1770. Vol. 3. Ed. Ken Seigneurie and Frieda Ekotto.  A Companion to World Literature. 5 vols. Ed Ken Seigneurie et al. Hoboken, NJ: Wiley Blackwell, 2020. 1903-14.


  • “Jongleuresque Origins.” Faraway Settings: Spanish and Chinese Theaters of the 16th and 17th Centuries. Ed. Juan Pablo Gil-Oslé and Frederick A. de Armas. Madrid: Iberoamericana, 2019. 21-36.
     
  • Dogville, Jazz Club Polonia, and the Ethics of Adaptation.” Religious and Secular Theater in Golden Age Spain: Essays in Honor of Donald T. Dietz. Ed. Susan Paun de García and Donald Larson. New York: Peter Lang, 2017. 243-53.
     
  • “La política del Quijote en la edad de los datos alternativos.”  Actas del II Congreso Internacional América-Europa, Europa-América: Los valores del Quijote.  Ed Vincent Giménez Chornet, Antonio Colmer Viadel, and Francisco Parra  Luna. Valencia: Editorial Universitat Politècnica de València, 2017.  5-17.
     
  • “Crouching Squire, Hidden Madman: Ah Gan’s Don Quixote and Postmodern China.” Don Quixote:  The Re-accentuation of the World’s Greatest Literary Hero. Ed. Howard Mancing and Slav Gratchev. Lewisburg, PA: Bucknell UP. 181-92.
     
  • “Chapter 7: Communities of Production.” A Cultural History of Theatre in the Middle Ages. Vol. 2. Ed. Jody Enders. A Cultural History of Theater.  Ed. Christopher B. Balme and Tracy C. Davis. 6 vols. London: Bloomsbury, 2017. 2: 145-61.
     
  • “Misprisioner’s Dilemma: Game Theory and Sonic Seepage in Lope de Vega's Mujeres y criados.” Making Sense of the Senses in Comedia Studies. Ed. Bonnie Gasior and Yolanda Gamboa. Newark, DE: Juan de la Cuesta, 2017. 95-107.
     
  • “Unamuno Rides Again: Cantinflas, Don Quixote, and the Tragic Sense of Life.” Re-Imagining Don Quixote (Film, Image and Mind). Ed. Antonio Cortijo Ocaña and Eloi Grasset. Newark, DE: Juan de la Cuesta, 2017. 123-40.
     
  • “The Unbearable Simulacrum of Being: Staging Ontology in Calderón de la Barca’s El gran teatro del mundo and Charlie Kaufman’s Synecdoche New York.” Self, Other, and Context in Early Modern Spain: Studies in Honor of Howard Mancing. Ed. Isabel Portillo Jáen, Carolyn Nadeau, and Julien Simon. Newark, DE: Juan de la Cuesta, 2017. 187-99.
     
  • “Eco-Performativity in Persiles y Sigismunda.” “Si ya por atrevido no sale con las manos en la cabeza”: El legado poético del “Persiles” cuatrocientos años después. Ed. Mercedes Alcalá Galán, Antonio Cortijo Ocaña, and Francisco Layna Ranz. eHumanista/Cervantes 5 (2016): 155-72.
     
  • “Prologue: Idleness and the Cervantine Ideal.”  A Novel Without Boundaries: Sensing Don Quixote 400 Years Later.  Ed. Carmen García de la Rasilla and Jorge Abril Sánchez. Newark, DE: Juan de la Cuesta, 2016. 9-15.


  • “Cognitive Theatricality: Jongleuresque Imagination on the Early Spanish Stage.” Cognitive Approaches to Early Modern Spanish Literature. Ed. Julien Simon and Isabel Jaén. Oxford: Oxford UP, 2016. 93-110.
     
  • “Screening Quixote: Cervantes and Media Culture.” Baroque Projections: Images and Texts in Dialogue with the Early Modern Hispanic World. Ed. Michael Horswell and Frédéric Conrod. Newark, DE: Juan de la Cuesta, 2016. 167-90.
     
  • “In Praise of Lupe.” Perspectives  on Early Modern Women in Iberia and the Americas: Studies in Law,  Society, Art and Literature in Honor of Anne J. Cruz. Ed. Adrienne Martín and María Cristina Quintero. New York: Escribana, 2015. 203-19.
     
  • “Corpus Lorqui: Transformation and Transubstantiation in Los Barracos de Federico’s El caballero de Olmedo.” Remaking the Comedia: Spanish Classical Theater in Adaptation. Ed. Harley Erdman and Susan Paun de García. London: Támesis, 2015. 123-31.
     
  • “Don Quixote in the American Imaginary.” MLA Approaches to Teaching Don Quixote. Ed. James A. Parr and Lisa Vollendorf. New York: Modern Language Association, 2015. 153-58.
     
  • “The Secret Life of Patiño’s Pen.” Cervantes, política y estética nacionalista, 1920-1975. Ed. Francisco Layna Ranz and Antonio Cortijo Ocaña. eHumanista/Cervantes 3 (2014): 620-36.
     
  • “Bad Moon Rising: Lycanthropy and Liminality in Cervantes’s ‘Dogs’ Colloquy.’” Cervantes’s Novelas ejemplares. Ed. Moisés Castillo. Romance Quarterly [Special Issue] 61.2 (2014): 138-50.
     
  • “An Apology for the Actorly: Maravall, Sor Juana, and the Economics of Jongleuresque Performance.” Bulletin of the Comediantes 65.1 (2013): 131-54.
     
  • “Writing in the Margins: Cervantes’ Challenge to Massenet.” Seattle Opera Magazine 28.3 (Winter 2010-2011): 18-21.


  • “David Lynch and the Dulcineated World.” Cervantes 30.2 (2010): 33-56.


  • “On the Bricks: The Terra Nova Consort, Greenshows, and the Spanish Jongleuresque.” Comedia Performance 7.1 (2010): 103-42.


  • “The Moor’s Last Sigh: National Loss and Imperial Triumph in Lope de Vega’s The Last Goth.” LATCH 3 (2010): 34-63.


  • “Os Manchíadas.” USA Cervantes: 39 cervantistas de Estados Unidos. Ed. Georgina Dopico Black and Francisco Layna Ranz. Madrid: Polifemo, 2009. 247-72.


  • “De Laudatione Cervantina.” Early Modern Spanish Studies in Honor of Carroll B. Johnson. Ed. Sherry Velasco. Newark, DE: Juan de la Cuesta, 2008. 41-50.


  • “Suicide and the Ethics of Refusal.” Critical Reflections: Essays on Golden Age Spanish Literature in Honor of James A. Parr. Ed. Barbara Simerka and Amy R. Williamsen. Lewisburg, PA: Bucknell University Press, 2006. 44-54. 


  • “Placing the Comedia in Performative Context.” Approaches to Teaching Early Modern Spanish Drama.  Ed. Laura Bass and Margaret R. Greer. MLA Approaches to Teaching World  Literature Series. New York: Modern Language Association, 2006. 107-114.


  • “Insidious Echoes: Ballad Resonance and Bodily Threats in Peribáñez.” Comedia Performance 3.1 (2006): 60-90.


  • “Cervantine Reflections on The Matrix.” Don Quijote Across Four Centuries: 1605-2005. Ed. Carroll B. Johnson. Newark, DE: Juan de la Cuesta, 2006. 49-59.


  • “Beleaguered Hegemony and Triangular Desire in Lope de Vega’s Las famosas asturianas and John Ford’s Stagecoach.” Bulletin of the Comediantes 56.1 (2004): 115-42.


  • “Salman Rushdie, autor del Cautivo.”  Estas primicias del ingenio: jóvenes cervantistas en Chicago. Ed. Francisco Caudet and Kerry Wilks. Madrid: Castalia, 2003. 35-54.


  • “Jongleuresque Dialogue, Radical Theatricality, and Maese Pedro’s Puppet Show.” Cervantes 23.1 (2003): 165-200.


  • “Salman Rushdie, Author of the Captive’s Tale.” The Journal of Commonwealth Literature 38.1 (2003): 113-33.


  • “Walt Disney’s Toy Story as Postmodern Don Quixote.” Cervantes 20.1 (2000): 157-72.


  • “Barbarians at the Gates: The Invasive Discourse of Medieval Performance in Lope’s Arte nuevo.” Theatre Journal 50 (1998): 289-302.
     

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Reviews and Other Publications

  • Review of Quehaceres con Góngora by Julio Baena. Newark, DE: Juan de la Cuesta, 2010. Revista de Estudios Hispánicos 46.3 (2012): 574-76.


  • Review of The Comedia in English: Translation and Performance. Ed. Susan Paun de García and Donald R. Larson. London: Támesis, 2008. Romanische Forschungen 124.1 (2012): 133-37.
     
  • Review of International Don Quixote. Ed. Theo D'haen and Reindert Dhondt. Amsterdam: Rodopi, 2009. Comparative Literature Studies 49.1 (2012): 123-26.


  • Review of Treacherous Foundations: Betrayal and Collective Identity in Early Spanish Epic, Chronicle, and Drama by Geraldine Coates. London: Támesis, 2009. Bulletin of the Comediantes 63.2 (2011): 139-41.
     
  • Review of The Poetics of Speech in the Medieval Spanish Epic by Matthew Bailey. Toronto: University of Toronto Press, 2010. Calíope 17.1 (2011): 236-39.


  • Review of Transnational Cervantes by William Childers. Toronto: University of Toronto Press, 2006. Revista de Estudios Hispánicos 42.2 (2008): 366-68.
     
  • Review of Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid by Jodi Campbell. Aldershot, England: Ashgate, 2006. Calíope 13.2 (2007): 102-105.
     
  • Review of El  nuevo mundo descubierto por Cristóbal Colón / The New World Discovered  by Christopher Columbus: Una edición crítica y bilingüe / A Critical and  Bilingual Edition by Robert M. Shannon. New York: Peter Lang, 2001. Bulletin of the Comediantes 59.2 (2007): 427-29.
     
  • Review of Perfect Wives, Other Women: Adultery and Inquisition in Early Modern Spain by Georgina Dopico Black. Durham, NC: Duke University Press, 2001. Renaissance and Reformation 25.2 (2001): 100-102.
     
  • Review of El texto puesto en escena. Estudios sobre la comedia del Siglo de Oro en honor a Everett W. Hesse. Ed. Bárbara Mujica y Anita K. Stoll. London: Támesis, 2000. Gestos 32 (2001): 180-83.
     
  • Discussant for “El postmodernismo de Ortega y Gasset” by Felix Martínez Bonati. Mester 29 (2000): 1-27.


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